Dolby AC-4 Goes Cloud-Native: A Live NGA Production Workflow at IBC2026
Many events and discussions in 2026 highlight that video and audio are forever ...
MainConcept at IBC2026: Codec SDK 17.0, New Partnerships, and a Clearer View of Stream Quality
Every year, IBC brings the same conversation back into focus: operators need more ...
Running your own benchmarks using FFmpeg
TL;DR; You’ve already come across MainConcept Codec Benchmarks but you want to compare ...
Beyond BD-Rate: Comparing Encoders in the Rate-Distortion-Speed Space
“Hey guys, do we have some fresh numbers on how we compare against x265 for VOD on these ...
Encoding for Apple Vision Pro: An experimental MV-HEVC pipeline
Apple Immersive Video drives video encoder comparisons to new dimensions because of the ...
ST 2110 and the Shift to IP-based Media Workflows
From SDI to IP The transition from SDI to IP is one of the most significant changes the ...
Constant Target Quality Encoding for Segment-Based VOD: Now Available for AVC/H.264
In our previous post, we introduced Constant Target Quality (CTQ) encoding, a new rate ...
Moving Next Generation Audio Production Workflows into the Cloud
With new broadcast standards evolving all over the world and OTT streaming striving for ...
Encoding in a GPU-Constrained World: How EVA Keeps You Flexible
GPU acceleration has become a cornerstone of modern video encoding. It delivers speed, ...
Constant Target Quality: Encoding Driven by Perceptual Fidelity
Introduction Delivering high-quality video at the lowest possible bitrate remains a core ...